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Finally, in La traducción en riesgo: la lista de diálogos como control hermenéutico, from a cultural studies perspective, Mabel Richart seeks to indentify nuclei of hermeneutic control concerning cultural allusions, phraseological units and phonic games, in the production and reception of translations for subtitles and dubbing in the culture industry.The miscellaneous section includes Núria Calafell s study El sabotaje de una praxis genérica: el ejemplo de Luizsa Valenzuela, which constructs the conceptual framework that she has named negative trans/ versality, based on Manuel Asensi s concept of criticism as sabotage and the concept of enthymematic syllogism refuted by writer Luisa Valenzuela.
In Ants Wax Manic: A Translation in Orature, on the other hand, Kyle Wanberg presents us with the process of translating an oral text originally interpreted in a minor language ( Akimel O odham or Pima) into English, the problems associated with intersemiotic translation that this involves and the question on the reception of this type of text as a literary work.Cátedra, Francisco Chico, Isabel Clúa, Américo Cristófalo, Perfecto Cuadrado, Joseba Gabilondo, Javier Guerrero, Germán Gullón, Jon Kortazar, Manuel Martínez, Annalisa Mirizio, Mara Negrón, Rafael Núñez, Mari Jose Olaziregi, Manel Ollé, Alex Padamsee, J. Pérez Bowie, Jaume Peris, Genara Pulido, David Roas, Rosa Romojaro, Hugo Salcedo, Mª Eugenia Steinberg, Enric Sullà, Meri Torras, Steven Tötösy de Zepetnek, Darío Villanueva. Barcelona ISSN Legal Legala Licencia Reconocimiento-No comercial-sin obras derivadas 3.0 de Creative Commons EDITORIAL en- We have been able to ascertain on several occasions during 452ºF s three year lifespan that the translation work that goes on behind the scenes of each publication is not an element that we wish to do away with, in spite of all the added difficulties that it brings to the process.Publishers Entidad editora Entitat editora Argitaratzailea Asociación Cultural 452ºF adress Dirección electrónica Correu electrònic Helbide elektronikoa Postal address Dirección postal Direcció postal Helbidea Universitat Autònoma de Barcelona. We start from the conviction that knowledge cannot be restricted to one or two languages, together with the certainty that there are studies that can only be formulated in one language, which will later merit their promotion from this specific space within the literary field and be disseminated in other languages.The changes to our editorial team reaffirms our commitment to the project developed three years ago, while the inclusion of this new section aims to highlight the relevance of these reviews as complementary to the rest of the journal s contents.From these latest changes we looke forward to continue in our task of contributing to the dissemination of knowledge.This new issue of 452ºF sees several changes in the journal s composition.
There have been changes in the editorial and advisory boards that oversee the publication of the journal, and further changes see the inclusion of a new section containing scientific reviews in the main body of each new issue.In La tasca del traductor davant la uniformitat literària, Carolina Moreno Tena asseses the role of the language in which a work is written and its consequent literary success or failure, as well as the work of the translator and his relevance concerning this topic.Beginning with the specific case of translation from Swedish into Catalan throughout the last century, we are offered a study of the processes involved with the globalization of literature, as well as the interaction between different literary fields.This conviction makes us continue this approach despite our permanent lack of resources.We continue in our attempts to avoid the discrimination that is a bi-product of the quality evaluation systems within research into the humanities.In A Journey across Rivers and Lakes: A Look at the Untranslatable Jianghu in Chinese Culture and Literature, Helena Wu offers us an analysis of the (im)possibility of representing the term jianghu ( 江湖 ), using a historical journey through its meanings and appropriations by literary genres.